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Spies and Narcs

July 10, 1968
by Amy


There is so much work to be done. We now have clusters of committees around our office. Several artists hang out during the day, smoking cigarettes and drawing flyers. Today, one of them went to light up a joint. Glasses quickly put a stop to it.

We know we’re being watched now. It’s hard to ignore the narcs who come through the door. We don’t confront them. Instead, we put them to work and watch to see if they’ll blow their cover. In particular, we’re looking for eye contact. Say, if one narc gives a peculiar look to someone else in the room.

That is what happened today. We have one guy who started showing up this week. He says that his name is Bill and that he’s a student at University of Chicago. But his hair is a little too short and he holds a cigarette like a g-man from the movies. No one else on staff has caught on. Glasses and I are hoping no one does.

It was cool to spy on the narcs. It made me feel like them, for once. Glasses and I decided that we have to figure out a way to throw their methods back them. Instead of allowing ourselves to be spied upon, we have to do the spying. We have to figure out who stole our files, and who the spies are in the office.

I wonder if we can find someone to infiltrate them.

In the News: July 10, 1968

About Project 1968

  • Project 1968 is a blog docu-novel about the lives of two young women on their way to the 1968 Democratic Convention in Chicago.

    Janine Stephenson, an 18-year old freshman from the University of Wisconsin, took the semester off to campaign for Senator Eugene McCarthy. She is accompanied by her best friend, Becca.

    Amy, a 23-year old anti-war protester, works at a well-known peace group in Chicago.

    Links to source notes, ephemera and commentary are located at the bottom of many entries. Comments are allowed on these back pages.

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Copyright Info

  • Project 1968 is copyright 2007 by Laura Axelrod. All rights reserved. It is registered with the Writers Guild. This is a work of fiction and any resemblance between the characters and persons living or dead is purely coincidental. Content cannot be copied or redistributed without the express written consent of the author.